All About Eve is a 1950 American drama film written and directed by Joseph L. Mankiewicz, based on the 1946 short story "The Wisdom of Eve", by Mary Orr.
The film stars Bette Davis as Margo Channing, a highly regarded but aging Broadway star. Anne Baxter plays Eve Harrington, a willingly helpful young fan who insinuates herself into Channing's life, ultimately threatening Channing's career and her personal relationships. George Sanders, Celeste Holm, Hugh Marlowe, Barbara Bates, Gary Merrill and Thelma Ritter also appear, and the film provided one of Marilyn Monroe's earliest important roles.
Praised by critics at the time of its release, All About Eve was nominated for 14 Academy Awards (a feat unmatched until the 1997 film Titanic) and won six, including Best Picture. As of 2012, All About Eve is still the only film in Oscar history to receive four female acting nominations (Davis and Baxter as Best Actress, Holm and Ritter as Best Supporting Actress). All About Eve was selected in 1990 for preservation in the United States National Film Registry and was among the first 50 films to be registered. All About Eve appeared at #16 on AFI's 1998 list of the 100 best American films.http://en.wikipedia.org/wiki/All_About_Eve
At an awards dinner, Eve Harrington (Anne Baxter) — the newest and brightest star on Broadway — is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.
The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway,
but despite her success she is bemoaning her age, having just turned
forty and knowing what that will mean for her career. After a
performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe),
meets besotted fan Eve Harrington in the cold alley outside the stage
door. Recognizing her from having passed her many times in the alley (as
Eve claims to have seen every performance of Margo's current play, Aged in Wood),
Karen takes her backstage to meet Margo. Eve tells the group gathered
in Margo's dressing room — Karen and Lloyd, Margo's boyfriend Bill
Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter) — that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco.
She tells a moving and involving story of a difficult life, including
losing her young husband in the recent war. She is becomingly humble and
flattering in her idolization of Margo. In response, Margo quickly
befriends Eve, moves her into her home, and takes her on as her
assistant, leaving Birdie, who instinctively dislikes Eve, feeling put
out.
While maintaining a seamless outward appearance of humility and of a
desire only to serve, Eve is gradually shown to be working to supplant
Margo, scheming to become her understudy
behind her back (driving wedges between Margo and Lloyd and between
Margo and Bill) and conspiring with an unsuspecting Karen to cause Margo
to miss a performance. Eve, knowing in advance that she will be the one
appearing that night, invites the city's theatre critics to attend that
evening's performance, which is a triumph for her. Eve tries to seduce
Bill, but he rejects her. Following a scathing newspaper column by
Addison, Margo and Bill reconcile, dine with the Richardses, and decide
to marry. That same night at the restaurant, Eve blackmails Karen into
telling Lloyd to give her the part of Cora, by threatening to tell Margo
of Karen's role in Margo's missed performance. Before Karen can talk
with Lloyd, Margo announces to everyone's surprise that she does not
wish to play Cora and would prefer to continue in Aged in Wood.
Eve secures the role and attempts to climb higher by using Addison, who
is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven,
Eve presents Addison with her next plan: to marry Lloyd, who, she
claims, has come to her professing his love and his eagerness to leave
his wife for her. Now, Eve exults, Lloyd will write brilliant plays
showcasing her. Addison is infuriated that Eve has attempted to
use him and reveals that he knows that her back story is all lies. Her
real name is Gertrude Slojinski, and she is no war widow, no orphan, no
follower of Margo's tour. Before meeting Margo, she had been paid to
leave town over her affair with her boss, a brewer
in Wisconsin. Addison blackmails Eve, informing her that she will not
be marrying Lloyd or anyone else; in exchange for Addison's silence, she
now "belongs" to him.
The film returns to the opening scene in which Eve, now a shining
Broadway star headed for Hollywood, is presented with her award. In her
speech, she thanks Margo and Bill and Lloyd and Karen with
characteristic effusion, while all four stare back at her coldly. After
the awards ceremony, Eve hands her award to Addison, skips a party in
her honor, and returns home alone, where she encounters a young fan—a
high-school girl—who has slipped into her apartment and fallen asleep.
The young girl professes her adoration and begins at once to insinuate
herself into Eve's life, offering to pack Eve's trunk for Hollywood and
being accepted. "Phoebe" (Barbara Bates),
as she calls herself, answers the door to find Addison returning with
Eve's award. In a revealing moment, the young girl flirts daringly with
the older man. Addison hands over the award to Phoebe and leaves without
entering. Phoebe then lies to Eve, telling her it was only a cab driver
who dropped off the award. While Eve rests in the other room, Phoebe
dons Eve's elegant costume robe and poses in front of a multi-paned
mirror, holding the award as if it were a crown. The mirrors transform
Phoebe into multiple images of herself, and she bows regally, as if
accepting the award to thunderous applause, while triumphant music
plays.
No comments:
Post a Comment